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Margarethe Siems (20 December 1879 – 13 April 1952) was a German people operatic dramatic coloratura soprano and voice teacher. A Kammersängerin of the Semperoper, between 1909 and 1912 Siems created leading roles in three operas by Richard Strauss: Chrysothemis in Elektra, the Marschallin in Der Rosenkavalier, and Zerbinetta in Ariadne auf Naxos.Rosenthal and Warrack (1979) p. 461. See also Midgette (17 February 2002).
Siems' singing style (like that of her contemporaries Hermine Bosetti and Marie Gutheil-Schoder) was described by Michael Scott as "instrumental" rather than warmly emotional.Scott (1993) p. 168 However, she had a wide repertoire which included florid coloratura soprano roles such as the Queen of the Night in The Magic Flute and Lucia in Lucia di Lammermoor; the dramatic soprano Giuseppe Verdi heroines such as the title role in Aida and Amelia in Ballo in maschera; and even the Richard Wagner roles of Sieglinde in Die Walküre and Isolde in Tristan und Isolde. Her vocal range was as wide as her repertoire, with the ability to sing both Zerbinetta with its high F♯ (in the original version) and low-lying roles, usually sung by mezzo-sopranos such as the title role in Carmen and Adalgisa in Vincenzo Bellini's Norma.
Although Siems remained a member of the Dresden State Opera until 1922, she was also a singing teacher at the Berlin conservatory from 1920 to 1926. She then taught in Dresden and Breslau until 1940. One of her early pupils was the German contralto, Sigrid Onegin. She made her final stage performance in 1925 as the Marschallin in Der Rosenkavalier in Breslau, but continued to sing in concerts, often with the German singer and composer, Georg Hartmann, a fellow resident of Bad Landeck, where she spent her retirement years. Towards the end of her life, Margarethe Siems moved back to Dresden where she died on 13 April 1952 at the age of 72.
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